i guess everything boils down to expectations and reality. tom had certain expectations from summer just like i had certain expectations from the film. summer reminding tom that this is nothing is exactly like the narrator reminding me that this is not a love story. except that like tom, i didn't exactly listen,
so, it's no longer the film's fault if i was left depressed after the film. just like it's no longer summer's fauly if tom was heartbroken. we were warned. we just didn't listen.
now, where's my autumn?
- Music:joy division
10 random songs (use shuffle):
*very opm oriented lang ako nung bata
- Music:boomkat
revolutionary road was definitely better the second time around. watching it in the cinemas helped a lot. plus, i shouldn't really watch movies when i'm seething mad. i end up thinking about other shit and not focusing on the film.
notes on revo road:
1. it should've been nominated for best picture.
2. leonardo di caprio should've been nominated for best actor.
3. kate winslet's performance in the reader was more impressive.
4. michael shannon was fucking amazing.
5. the score is still playing in my head.
6. it was extremely loyal to the book.
my thesis is moving at a snail's pace. :| so, from now on, i'm gonna follow aaron katz's rules of scritpwriting.
1. write at least 10 pages everyday. no matter what. even if you're not in the mood. even if it's pointless.
2. don't look back on what you wrote.
3. trust your instincts!

It's like Dazed and Confused or American Graffiti or Can't Hardly Wait, so if you're into this type of shit, LIKE ME, because i am completely and utterly obsessed with movies like this, then GO AND WATCH IT! You will not be disappointed! As a whole, it really falls behind compared to Dazed and Confused, etc. It doesn't really have much of a point, doesn't really delve deeper into the minds of these young people and just continues to present them as drinking and smoking sexual beings, etc etc, so don't expect any profound bullshit about them as a generation because you won't be getting any. But fortunately, I , for one, don't care about shit like that. THOUGH i have to say that this, in my opinion, is the most hilarious out of all the films in this specific genre.
saw some other films too, last week i think? or something like that. i forgot.
CANDY - with Heath Ledger and Abbie Cornish. They play a couple who are just as in love with heroin as they are with each other. Self destructive romance ala Sid and Nancy. Awesome performance from Heath Ledger. Beautiful visuals.
THE HEART IS DECEITFUL ABOVE ALL THINGS - a film by Asia Argento. Some disturbing shit. Felt sick and depressed after watching it. Don't think I'd want to watch it ever again.
From a 1997 Richard Linklater interview for Moviemaker Magazine:
TR: Turning to themes, a lot of your films deal with . . . well, you make films about "hanging out." I don't mean that to sound flip--
RL: --No, you're right, I like that a lot. I have a quintet going here. Five "hanging out films." Truly.
TR: In John Lennon's words, "Life is what happens when you're busy making other plans." I think you really get to the heart of what that means. You show the kind of between-the-lines of life. In the writing, do you consciously go for that? Do you not want big events and big action in your films because the essence of what happens in our lives is not usually about that?
RL: I haven't had a lot of big events happen in my life. I don't know many people who have in that way. I mean, you have these big events, but they're usually such a big deal and they've already been done in film. What's underrepresented in film is the real essence of life, the in-between space that gets glossed over. But I can't help but think that at the end of your life when you look back there'll be a tone. And that tone will come from the essence of how you live your day-to-day, what you did in that between time, because that is really your life. I enjoy exploring that.
TR: I heard a quote, "The best days are the days when nothing happens."
RL: Exactly.
TR: It seems like you're able to capture those cool times when nothing is really "happening."
RL: On one level, nothing's happening. But we all exist in our brains anyways, so that's where everything's happening. It's hard to say what's a big deal and what's not.
link to the full interview if anybody's interested
there's this character in the movie, jeff, played by giovanni ribisi, and here is why he's one of my personal heroes despite the fact that he's a huge coward.
JEFF
Nothing ever changes, man. Fifty years from now we're all gonna be dead and there'll be new people standing here drinking beer, eating pizza, bitching and moaning about the price of Oreos, and they won't even know we were ever here. And then fifty years after that those suckers will be dust and bones and there'll be all these generations of suckers trying to figure out what they're doing on this fucking planet and they'll all be full of shit. It's all so fucking futile.
TIM
If it's all so fucking futile, what the fuck are you so fucking upset about, fuckhead?
JEFF
Because I'm alienated.
****************************************
JEFF
I mean, you know, at least I admit that I don't know. I know that things are fucked up beyond belief and I know that I have nothing original to say about any of it, alright? I don't have an answer. I don't have a fucking message.
****************************************
JEFF
You know, we all dress the same, we all talk the same, we all fuck the same, we all watch the same TV. Nobody's really different, even if they think they're different. "Oh, boy, look at my tattoo, you know?" And see, that's what makes me freak. Because I can do anything I want, as long as I don't care about the result. Anything is possible. It is night on planet earth and I'm alive. And someday I'll be dead. Someday I'll just be bones in a box, but right now, I'm, not. And anything is possible. And that's why I can go to New York with Sooze because each moment can just be what it is. There's no failure, there's no mistake. I just, I just go there and live there and what happens, happens. And so, right now I'm getting naked and I'm not afraid. You know? I don't, I don't need money, man. I don't, I don't even need, I don't even need a future. I, I could knock out all of my teeth with a hammer. So what?! You know, I could poke my eyes out. I'd still be alive, you know? At least I'd know that I was doing something real for two or three seconds, you know? It's all about feat and I'm not afraid anymore, man. Fuck it! Fuck fear!
So, finally, something a little bit more recent. Haha.
Let The Right One in is a vampire movie. I'll assume it's like Twilight, but only WAY better(and I'm confident enough to say this even if I haven't seen Twilight), and instead of Edward and Bella, we have two 12 year-old kids. I decided to check this out because this keeps popping up in lists for top films of 2009. This is a very, very well made Swedish film that mixes both horror and romance perfectly, that by the end of the film, i wasn't actually sure if I got shivers from the horror or from the kilig. The two young actors, who were like 11 when they did this, were absolutely beautiful and amazing. I was initially confused because at first, I was sure the vampire one was a boy, and then he starts to hug him, so i'm thinking oh my god they have homosexual shit going on in here, which I actually got excited about, then the vampire one said something about being a girl, and i got very disoriented so I had to keep reminding myself through out the movie that she's a girl she's a girl, but well, actually, the thing is in the end, she's neither a boy nor a girl, because she doesn't have a sexual organ. I don't know how I feel about the ending, but i clearly remember how i looked like while watching the last scenes. I was leaning away from the computer, with my hands over my mouth and my eyes bulging out in lerlerness. So yeah, even if this is about kids, this really is not for kids. It's bloody gory and violent. But, that also depends because if *I* had a kid, I am so gonna let him or her watch this. One thing I also like about the film is that it takes vampires seriously. Prior to this, I wasn't really interested or even fascinated by vampires, but this movie really succeeds in showing you or even making you feel how it feels like to be a vampire.
SO, YES! Please watch this movie! It's really really really fucking good, I swear!

I'm not really a huge Kevin Smith fan but I can say that I absolutely love Clerks and that he is truly a big inspiration to me as a filmmaker. But, even if I try and not look at this movie as a Kevin Smith movie, but as like any other movie that any other person could have made, the point still remains: this movie is crap.
I do admire Kevin Smith for making a chick flick such as this. That's the sign of a person who truly doesn't give a fuck what people think. Unfortunately, this one is not even a good chick flick, it's a bad one. And, though it's far from being the worst one out there, it's still bad. The story was predictable, it was forgettable and a lot of it just did not make sense, so yes, I think you guys could definitely go on living your lives without seeing this movie, and you wouldn't feel like you're missing anything life-changing.

saw this last night, but didn't really know what to say after seeing it so i'm just posting this now. well, first of all, i downloaded this film because of emily blunt. i was able to watch the devil wears prada again during the break and since she was really quite brilliant in that, i decided to check out her other stuff. well, based from what i've read, this is supposedly her breakthrough role. so, if you like emily blunt, then you should definitely see this.
the truth is there's really a lot of stuff i want to say about this film but saying them here would completely spoil and ruin the movie for anyone who might want to see it. so, i don't know... you guys should see it though because i think you'll really realize or discover stuff about yourself, what kind of person you are, in terms of how you look at love and how much you trust people, shit like that. i'm sorry if it's pretty vague but i really hope someone sees this other than me so i could talk to someone about it. i'm not sure if i would recommend this to homosexual guys though, because there's some girl on girl action going on in here. but. i wouldn't say this is really about lesbian love, so i think everyone would be able to appreciate it.
thanks to Jobie for giving me a copy of this one. so, well, first of all, i'm not much of a Leo fan. i mean, i like him, i have no doubts that he's an amazing amazing actor but at the same time, i don't go out of my way to watch his films. well, except for Revolutionary Road, because i am SO watching that one. so, YES, leo was fucking amazing in this. more than half the time, all i'm thinking about is what a fucking great actor he is. i thought he was a very convincing drug addict, not a very convincing basketball player, though. when i'm not thinking that, i'm thinking how much i really want to slap him or mark wahlberg or that guy pedro for being a bunch of idiots. the rest of the time, i'm just disgusted at them. it's nothing new with these drug movies though. i remember only seeing 3 movies that are really specifically about drug use: Requiem for a Dream, Trainspotting and this one. Out of the 3, i'd have to say this was the most realistic? well, okay, maybe 'realistic' is not the right term, but, well, Requiem, i thought was quite exaggerated, then Trainspotting was sort of glamorous and comedic. This one had sort of the right amount of drama without going over the top. but, i think it still lacked some things. it could have done better with a bit more relationship background, and some of the motivations were not clear to me.
the thing about drug movies is though is i never get what their point is. i mean, i don't think film is an effective enough of a medium to stop people who wanna try or help people who are addicted or even make the audience feel what it's like to be on drugs, even with those amazing visuals and shit. i don't believe film is powerful enough to do those stuff. music and literature might be more effective with those things. but of course, i can't be sure. i really have no authority on this subject. that's just what i think.
anyway, so, yes, i would still recommend this. it's entertaining. it's a really well-made film. i thought the director of it was really good but weirdly enough, he only ended up making one other movie after this, which is deuces wild what the fuck.
- Music:bobby james
2. since
200 Cigarettes is just the perfect first film to watch for the new year because it is, after all, a movie set a few hours before New Year's Eve. I couldn't help but draw comparisons with this and with Can't Hardly Wait, which is one of my favorite movies by the way. Both films run through the course of one night, and well, of course the brief morning after, and the lives of all these young people that have one thing in common: they're going to the same party. One is a high school graduation party, and one is a new year's eve party. Of course, with Can't Hardly Wait, all the stuff happen during the party itself, but with 200 cigarettes, it's all about the stuff that happen before the party. Another thing is both movies have just brilliant casts of actors, huge stars before they were famous or huge stars playing small roles. Can't Hardly Wait has Melissa Joan Hart, Selma Blair, Jason Segel and Freddy Rodriguez, just to name a few. 200 Cigarettes, well, Ben Affleck, Kate Hudson, Christina Ricci, Paul FUCKING Rudd, and Courtney Love who is just about one of the funniest people in this whole movie. What else? oh yeah, they both have awesome soundtracks.
Comparisons aside, 200 Cigarettes is a fun movie, it is funny as hell, it has the best lines, and i fucking loved it!
- Music:the strokes live
now,teachers have taught us which lights to use, how to properly frame our shots, and yeah, of course our shit looks better that way or whatever, but i'm thinking, i sort of want to go old school for my thesis. i'm not gonna do stuff just because that's what they expect me to do or because it's what i was taught to do, and i don't care if it seems stupid or whatever. it shouldn't be something new for me. almost everything that i do, i do, partly, to rebel, anyway. it may not seem too obvious, and i don't really see myself as a particularly rebellious person, i'm actually pretty square, if you think about it, but it's true. so that's what i'll do. you gotta do what you gotta do.
"The trouble with my generation is that we all think we're fucking geniuses. Making something isn't good enough for us, and neither is selling something, or teaching something, or even just doing something: we have to be something." - JJ, 2005?
Well, apparently, this isn't just a generational thing. It's like this shit's been going on forever. Personally, I think it's all about leaving your mark in this world. Experiences for me are not important. Who cares if you've climbed a mountain or gone skinny dipping? You're gonna die anyway and you're not gonna remember any of that. And, you climbing a mountain or whatever is also not something that people are gonna remember you for. Unless the mountain that you climbed was like fucking Everest, but then again, a whole lot of people've already done that, so chances are you're still not gonna be well-remembered for that. Unless, you're mentally retarded or lost both your legs and still managed to climb the fucking thing. Now, that's something. But, if you're just an ordinary person, and you were not the first to do any of it, then yeah, no one's gonna remember you.
But then again, who cares if you're really famous right now? If you're like Marilyn Monroe or Andy Warhol or whatever, because one day, a meteor will hit the Earth or whatever and we're all gonna explode and die and nobody's gonna fucking remember who Monroe or Warhol is. So I think the best thing to do is to just kill yourself. I would, but I don't have the balls to do so. Everything is fucking pointless. None of this is gonna matter. Unless you believe in God or in heaven or whatever. But, hey, I think fame is still something we should all strive to achieve. Who knows, maybe the Earth won't explode after all, especially with all this technology and shit.
I think there's nothing wrong with thinking that you're a fucking genius. If you feel that you are, then own up to it. The truth is a real genius probably shouldn't be aware that he's a genius, because that's what makes him a genius. But, the thing is, I believe, that if you think you're a genius and you think about if for a long enough time, long enough to really convince yourself that you are one, and if you consistently keep on telling other people that you are one, then slowly, they're gonna start thinking and believing that you're a motherfucking genius! I think that's how it works. You know, fake it 'til you make it. Of course there's a possibility you're gonna end up deranged and homeless somewhere, but I think it's a risk that's good enough to take.
I think people back then were a whole lot happier because they all think they're such geniuses. Well of course, there's also slavery and other stupid shit, but you know, since so little has been done or discovered back then, they're always the first to invent and discover new stuff. It's so much harder these days because everything's been done, and people are so jaded, they don't get impressed or shocked anymore.
Jon Krakauer could easily have been talking about me. Clueless, stupid, young and naive, thinks she can get by with just mere passion, mere ambition. This part of the book was a lovely wake up call, a welcome slap to the face. I don't know why Into The Wild is having this really intense effect on me, when in fact I should hate it because it's this really phony and romanticized story of this nature guy Chris McCandless who thinks that he's so above materialism and all that wordly shit, but fuck it, i don't know, i love it! I love the whole thing! I don't understand it very much myself. Maybe it's because I can never do what he did, or maybe I'm really just an escapist son of a bitch. I don't know. We have something in common. I'm sure of it. But I don't know what exactly. I find these stories of freedom very fascinating, like Chris, like Lester Burnham, like Tyler Durden. Sometimes, I think freedom is underrated, because supposedly, freedom is having nothing to lose, but I mean, really, what's so fun about having nothing to lose? I don't know, maybe I'm getting it all wrong.
The second question is not as easy, "What is post-modernism? How is this relevant to understanding the nature of art?" Heck, what the fuck do I know about post-modernism? The only thing that comes to my mind whenever I hear the word "post-modern" is "pastiche." Besides, there's no point in trying to find out, because before you know it, there's another movement going on, like post-post moden shit or some shit like that. Like, there's punk, there's post-punk, then there's post-punk revival. What the fuck. Well, at least it's evolving. So, the best thing to do is just to create a movement of your own, and just put "post-" before it. Like, the title of this post, which sounds cool but I have no idea what it means. Why can' the question be like "What is post-punk?" or "What is post-modern rock?" instead. Well, I still wouldn't know the answer, but at least I'd be more interested to find out.
Aside from this, I have also been spending my break by googling photos of Mario Maurer. It's kind of embarrassing though because people are passing by so once in a while I also open my WordPad window, just so people would think I'm at least doing something productive here and not just looking at photos of some hot guy. But, then, the WordPad window is embarrassing too, because WordPad is as grepa as a P35 meal from Meals to Go. Hopefully, they won't look too closely and they'll assume it's MS Word. Why do I assume that every person passing by is looking at my screen? No, they're not looking at you, they're probably just trying to take a peek of Erik Santos performing somewhere in the activity center. Other more interesting things are happening around you, you know. Don't be conceited. On the other hand, my screen is probably more interesting than Erik Santos performing. I'm hungry. I need to pee.


